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Andy Warhol

Children

Andy Warhol was born in Pittsburgh, Pennsylvania. It was the fourth son of Ondrej Warhola and Ulja, whose first child was born in his homeland and died before their migration to the U.S. His parents were immigrants from Mik working class (now called MIKOV), in northeast Slovakia, then part of Austro-Hungarian Empire. Warhol's father emigrated to the U.S. in 1914, and his mother joined him in 1921 after the death of grandparents Andy Warhol. Warhol's father worked in a coal mine. The family lived at 55 Beelen Street and later at 3252 Dawson Street in the Oakland neighborhood in Pittsburgh. Family was Byzantine Catholic and attended St. John Chrysostom Byzantine Catholic Church. Andy Warhol had two older brothers, John and Pavol, who were born in present-day Slovakia. Pavol son, James Warhola, became a successful children's book illustrator.

In third grade, Warhol had chorea, a disease nervous system causing involuntary movements of the limbs, which is believed to be a complication of scarlet fever and causes skin pigmentation spots. Became a hypochondriac, developing a fear of hospitals and doctors. Often bedridden as a child, became a pariah among his fellow school and each other strongly with his mother. At a time when he was bedridden, he said, listening to the radio and collected pictures of movie stars around your bed. Warhol later described this period as very important in the development of their personality, abilities and preferences established.

Early career

Warhol showed an early artistic talent and studied commercial art at the School of Fine Arts at Carnegie Institute of Technology in Pittsburgh, Pennsylvania (now Carnegie Mellon University). In 1949, he moved to New York and began a successful career in illustration magazines and advertising. During the 1950's, who gained fame for his whimsical ink drawings of shoe advertisements. These were conducted in a loose style, erasing ink and I thought some of his first exhibitions in the Bodley Gallery in New York. With the concurrent rapid expansion of the record industry and the introduction vinyl record, Hi-Fi, and stereo recordings, RCA Records hired Warhol, along with another freelance artist, Sid Maurer, to design album covers and material promotion.

Campbell's Soup I (1968)

1960

His first solo exhibition of art-gallery as a good artist was on 9 July 1962, at the Ferus Gallery in Los Angeles. The exhibition marked the debut of the coast west of pop art. First York of Andy Warhol's New solo exhibition was organized in November Pop Stable Gallery Eleanor Ward 6-24, 1962. The exhibition includes works Diptych Marilyn, 100 soup cans, 100 bottles of Coca-Cola and 100 dollar bills. In the stable gallery exhibition, the artist met for the first time John Giorno, who will star in Warhol's first film, Sleep, in 1963. [Citation needed]

It was during the 1960s that Warhol began to paint pictures of American iconic products like Campbell's Soup Cans and bottles of Coca-Cola, as well as paintings of celebrities like Marilyn Monroe, Elvis Presley, Troy Donahue, Muhammad Ali and Elizabeth Taylor. He founded "The Factory", his studio during these years, and gathered around himself a wide range of artists, writers, musicians and underground celebrities. He began to produce prints using the silkscreen method. His work became popular and controversial.

Among the Warhol images were approached by one dollar bills, celebrities and branded products. He also used images of their headlines paintings or photographs of mushroom clouds, electric chairs, and police dogs attacking civil rights demonstrators. Warhol also used bottles of Coca Cola as the theme for the paintings. He had this to say about Coca Cola:

What's good about this country is the United States started the tradition where the richest consumers buy essentially the same things as the poorest. You can watch TV and see Coca Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coca Cola, too. Coke is a Coke and no amount of money is available a better Coke than the bum on the corner is drinking. All the cokes are the same and all the cokes are good. Liz Taylor knows it, the President knows, ass knows, and you know.

New York Museum of Modern Art organized a symposium on pop art in December 1962 in which artists like Warhol were attacked for "capitulating" to consumerism. Critics were scandalized by Warhol open embrace of market culture. This symposium set the tone for the reception Warhol. Throughout the decade it became increasingly clear that there has been a profound change in the culture of the art world, and that Warhol was at the center of that change. [Citation needed]

Box Campbell's Tomato Juice (1964)

A key development was the display 1964 The American supermarket, a show held in Paul Bianchini Gallery Upper East Side. The show was presented as a typical U.S. small supermarkets, except that everything about her products, canned goods, meat, posters on the wall, etc. was created by six prominent pop artists of the era, including the controversial (and related) Billy Apple, Mary Inman and Robert Watts. Warhol painting of a Campbell soup can cost $ 1,500 while each autographed can sold $ 6. The exhibition was one of the first mass events that directly confronted the general public with pop art and the eternal question of what art is (or what is art and what is not.) [Citation] Need

Advertisement illustrator in the 1950's, Warhol used workers to increase productivity. Collaboration would remain a definition (and controversial) aspect of its working methods throughout his career in the early 1960, however, this was particularly true. One of the most important collaborators during this period was Gerard Malanga. Malanga assisted the artist with serigraphs production, films, sculptures and other works in "The Factory", Warhol's aluminum foil and silver-paint-lined study at 47th Street (later moved to Broadway). Other members of Warhol's Factory crowd included Freddie Herk, Ondine, Ronald Tavel, Mary Woronov, Billy Name, and Brigid Berlin (Which apparently had the idea to record your telephone conversations.)

During the 60's, Warhol also produced a suite of bohemian eccentric who was awarded the designation of "superstars" like Edie Sedgwick, Viva, Ultra Violet and Candy Darling. These individuals participated factory in the movies, some like Berlin and remained friends with Warhol until his death. important figures in the art of New York underground / film world, as John Giorno writer and filmmaker Jack Smith, also appear in Warhol films of the 1960s, revealing Warhol's connections to a wide range of artistic scenes during this period.

Attempted murder

On June 3, 1968, Valerie Solanas shot Warhol and art critic and curator Mario Amaya at Warhol's studio. Before shooting, Solanas had been a marginal figure in the Factory scene. He founded a "group" called SCUM (Society for the court to men) and author of the SCUM Manifesto, a separatist feminist attack on patriarchy. Over the years, Solanas manifesto has found followers. Solanas appears in the 1968 film that Warhol, a man. Earlier in the day of the attack, Solanas had been away from the factory after the refund request a script that was given to Warhol. The script apparently had been misplaced.

Amaya suffered only minor injuries and was discharged later the same day. But Warhol was seriously wounded in the attack and barely survived (surgeons opened the chest and massage her heart to help stimulate its movement again). He suffered physical effects for the rest of your life. The shooting had a profound impact on Warhol's life and art.

Solanas was arrested the day after the assault. By way of explanation, said he "had too much control over my life," after which he was sentenced to three years under the control of the department of corrections. After the shooting, the Factory scene became much more closely controlled, and for many this event brought together the "60 Years of the box" to an end. The filming was mostly overshadowed in the media due to the assassination of Robert F. Kennedy, two days later.

Warhol had this to say about the attack: "Before we received a shot, I always thought that I was more than half-are-not everyone always suspected that I was watching TV instead of living life. People sometimes say things happen in the movies is unreal, but in reality is the way things happen in life that is unreal. The films that emotions are so strong and real, whereas when things really happen to you, is like watching television does not feel anything. Just when I was being shot and since then, I knew I was watching TV. The change channels, but it is all television. "

1970

Andy Warhol and Jimmy Carter in 1977

Compared with the success and scandal of Warhol's work in the 1960's, the decade of 1970 showed a decade much quieter, like Warhol became entrepreneurship. According to Bob Colacello, Warhol devoted much of his time to stop by our customers new rich for portrait commissions including the Shah of Iran Mohammad Reza Pahlavi, his wife, Empress Farah Pahlavi, his sister, Princess Ashraf Pahlavi, Mick Jagger, Liza Minnelli, John Lennon, Diana Ross, Brigitte Bardot, and Michael Jackson. [Citation needed] Warhol's famous portrait of Chinese Communist leader Mao Zedong was created in 1973. Also founded, with Gerard Malanga, Interview magazine and published The Philosophy of Andy Warhol (1975). A view expressed in the book: "Making money is art, and work is the business of art and good art is best. "[Quote This quote]

Warhol used to socialize in different night clubs New York, including Max's Kansas City, Serendipity 3, and later in the 70's, Studio 54. He was widely regarded as quiet, shy, and an observer meticulous. The art critic Robert Hughes called "the black mole of Union Square."

1980

Warhol had a resurgence of critical and financial success in the early 1980, partly because of his affiliation and friendships with a number of prolific artists Young, who dominated the "bull market" of the 80 New York art: Jean-Michel Basquiat, Julian Schnabel, David Salle and other expressionists Neo call and members of the movement in Europe transvanguardia, Francesco Clemente and Enzo Cucchi.

During this period, Warhol was being criticized for becoming a mere "commercial artist." In 1979, adverse comments were met with his exhibition of portraits of personalities and celebrities 1970, calling them superficial, easy and commercial, without the depth or the indication of the importance of the issues. This criticism is echoed his statement of 1980 ten Pictures at the Jewish Museum in New York, entitled Jewish Geniuses, that Warhol was not interested in Judaism or concerns for the Jews had described in his diary as "going to sell." In retrospect, however, some critics have come to see Warhol's superficiality and commerciality as "the mirror more brightest of our time, "stating that" Warhol had captured something irresistible about the zeitgeist of American culture in 1970. "

Warhol also had an intense appreciation for the glamor of Hollywood. Once said … "I love Hollywood I love Los Angeles All plastics are so beautiful, but I love plastic. I want to be plastic. "

Sexuality

Many people think of Warhol as "asexual" and merely a "voyeur", however, it is now well known that he was gay (see biographers as Victor Bockris, Bob Colacello, and art historian Richard Meyer). The question of how Warhol's sexuality influenced his work and how their relationship with the world of art is a important issue of scholarship on the artist, and Warhol is an issue that is addressed in the interviews, in conversations with his contemporaries, and in its publications (Popism for example: the Warhol Sixties.)

Throughout his career, Warhol produced erotic photography and drawings of male nudes. Many of his most famous works (portraits of Liza Minnelli, Judy Garland and Elizabeth Taylor, and films like "Blow Job, My Hustler, and Lonesome Cowboys) draw from the culture underground gay and / or openly explore the complexity of sexuality and desire. Many of his films premiered in gay porn theaters. That said, some stories about the development of Warhol as an artist revolved around the obstacle his sexuality initially presented as he tried to launch her career. The first works to be submitted to a gallery the pursuit of a career as an artist were homoerotic drawings of male nudes. They were rejected for being too openly gay. In Popism, on the other hand, the artist recalls a conversation with the filmmaker Emile de Antonio de la Warhol had difficulty being accepted socially by the then more famous (but locked) gay artists Jasper Johns and Robert Rauschenberg. De Antonio explained that Warhol was "too swish and that bothers them." In response to this, Warhol writes: "There was nothing I could say that. It was all very true. So I decided that I would not care, because those were all things that I did not want to change anyway, I do not think 'Should' want to change … Other people can change their attitudes but not me. ", In exploring Warhol's biography many turn to this period in late 1950 and early 1960 as a key moment in the development of his personality. Some have suggested that its refusal to frequent feedback on their work, to talk about itself (Limited to the answers in the interviews as "Um, No" and "Um, yes, and often allowing others to speak for him) and even the evolution of a pop style be traced to the years when Warhol was first dismissed by the inner circles of the art world of New York.

Religious beliefs

Images of Jesus in the cycle of the Last Supper (1986). Warhol made almost 100 variations on the theme, that the Guggenheim was "indicates a reversal of almost obsessive on the subject matter."

Warhol was a practicing Catholic Byzantine. Regularly volunteered at homeless shelters in New York, particularly during the busiest times of the year, and was described as a religious person. Several Warhol's works most represented religious subjects, including two series, Details of Renaissance Painting (1984) and The Last Supper (1986). In addition, a set of religious-themed works was found after his death in his state.

During his lifetime, Warhol regularly to mass, and the priest Warhol at the church, San Vicente, said that the artist went there almost daily. Her art is strongly influenced by Eastern Christian iconography tradition that was so evident in their places of worship.

Warhol's brother, the artist has described as "very religious, but do not let people know about that because [is] sector "Despite the private nature of their faith, in praise of John Richardson describes Warhol as devotees." As far as I know the way, he was responsible of at least one conversion. Is considerable pride in the funding of studies by his nephew for the priesthood "

Death

Warhol died in New York at 6:32 am on February 22, 1987. According to press reports, which had been making a good recovery a routine gallbladder surgery at New York Hospital before dying in his sleep from a sudden cardiac arrhythmia postoperatively. Before his diagnosis and operation, Warhol delay without your gallbladder recurring control problems, he was afraid to enter hospitals and medical consultations. His family sued the hospital for inadequate care, saying that the arrhythmia was caused by improper care and water intoxication.

Warhol serious St. John the Baptist Byzantine Catholic Cemetery

Warhol's body was taken back to Pittsburgh by his brothers for burial. Visitation was in the Thomas P. Kunsak Funeral Home and was an event open coffin. The coffin was a solid bronze casket with gold plated rails and black upholstery. Warhol was wearing a black cashmere suit, a tie, cashmere, platinum wig and sunglasses. He suggested holding a small prayer book and a red rose. Liturgy funeral was held at Holy Spirit Byzantine Catholic Church on the North Side of Pittsburgh. The eulogy was given by Monsignor Peter Tay. Yoko Ono also made an appearance. The coffin was covered with white roses and asparagus ferns. After the liturgy, the coffin was taken to St. John the Baptist Byzantine Catholic Cemetery in Bethel Park, a suburb south of Pittsburgh. In the tomb, the priest said a brief prayer and sprinkled holy water on the coffin. Before the coffin was lowered, Paige Powell dropped a copy of Interview magazine, an interview-shirt and a bottle of perfume from Estee Lauder "Beautiful" in the grave. Warhol was buried with his mother and father. Weeks later a memorial service was held in Manhattan for Warhol on April 1, 1987, in St. Patrick's Cathedral, New York.

Warhol dictated that all goods with the exception of a few modest legacies to family members would create a foundation dedicated to promoting " visual. Arts "Warhol had many possessions so many that took nine days to Sotheby's auction its assets after your death, the auction raised more U.S. $ 20 million Its assets totaled a value considerably. Moreover, due in part to shrewd investments over the years. [Citation needed]

In 1987, in accordance with the will of Warhol, Andy Warhol Foundation for the Visual Arts was founded. The Foundation not only serves as the official Estate of Andy Warhol, but also has a mission to "foster innovative artistic expression and the creative process" and is "focused primarily on supporting work experimental in nature and often challenging. "

The Artists Rights Society is the representative of U.S. copyright Andy Warhol Foundation for the Visual Arts for all the work of Warhol with the exception of Warhol movies frames. The U.S. copyright representative Warhol film for still images is the Warhol Museum in Pittsburgh. In addition, the Andy Warhol Foundation for the Visual Arts has signed agreements for the image file. All Warhol digital images are exclusively managed by Corbis, while all the transparent images are handled by Warhol art resources.

Andy Warhol Foundation unveiled its 20 th anniversary annual report and three volumes in 2007: vol. I, 19872007, vol. II, Scholarships and Exhibitions, and vol. III Legacy Program. The Foundation remains one of the largest organizations to give donations for the visual arts in the U.S.

Works

Paintings

This section needs references that appear in reliable, third-party publications. Primary sources and sources affiliated with the subject are generally not sufficient for a Wikipedia article. Please add more appropriate citations from reliable sources. (February 2009)

In the early 1960's, Warhol was a successful commercial illustrator. His detailed drawings and elegant shoes I. Miller was particularly popular. These illustrations consisted mainly of "wiped off the ink" drawings (or monoprints), a technique applied in much of his early works. While many artists of this period worked in commercial art, most did so discreetly. Warhol was so successful, however, that his profile as an illustrator seemed to undermine their efforts to be taken seriously as an artist.

Pop Art was an experimental form that several artists were adopted independently, some these pioneers such as Roy Lichtenstein, later became synonymous with the movement. Warhol became famous as the "Pope of Pop" went this new style, where popular subjects could be part of the artist's palette. His early paintings show images taken from cartoons and advertisements, hand painted with paint drips. Drips emulated the style of successful abstract expressionists (such as Willem de Kooning). Warhol's first Pop Art paintings were exhibited in April 1961 serving as the backdrop of New York Department Store Window Bronwit Teller. This was the same scenario his pop art contemporaries Jasper Johns, James Rosenquist and Robert Rauschenberg had also once adorned. Finally, Warhol vocabulary compared to the same icon image for the brands, celebrities, dollar signs and removed all traces of the "hand" of the artist in the production of his paintings.

For him, part of the definition a niche was defining his subject. Cartoons were already being used by Lichtenstein, typography by Jasper Johns, and so on, Warhol wanted a distinctive theme. His friends suggested he should paint the things he loved most. In his signature way of taking things literally, for his first major exhibition he painted his famous Campbell soup cans, he claimed that he had for lunch for most of his life. The work sold for $ 10,000 at auction on November 17 1971, Sotheby's New York, a minimal amount for the artist whose paintings sell for over $ 6 million more recently.

He loved celebrities, so they painted them as well. From these beginnings he developed his later style and themes. Instead of working on a signature issue, as he started to do worked more and more of a style, slowly eliminating the hand made artistic process. Warhol frequently used the screen, his last drawings were tracings of projected slides. At the height of his fame as a painter, Warhol had several assistants who produced his silk screen multiples, following his instructions for that the different versions and variations.

In 1979, Warhol was commissioned by BMW to paint a racing version of the Group 4 then the BMW M1 super elite for the fourth installment in the BMW Art Car project. Unlike the three artists before him, Warhol was reduced using a small scale model practice, opting instead to paint directly on the car immediately to a large scale. It was noted that Warhol spent only a total of 23 minutes to paint the car integer.

Works Warhol produced both comic and serious, the issue could be a can of soup or an electric chair. Warhol used the same techniques silkscreens, reproduced serially, and often painted with bright colors if painted celebrities, everyday objects, or images of suicide, car accidents, and disasters, as in death and 196,263 series of disasters. The paintings of Death and Disaster (as Red Car Crash, Man Purple Salto and Disasters Orange) transform personal tragedies into public spectacles, and signal the use of images of disasters in the media then evolving.

The unifying element in Warhol's work is his deadpan Keatonesque artistically and if personal affection. This reflected in Warhol's own attitude, as I used to play "dumb" to the media, and refused to explain their work. The artist became famous for said that all you need to know about him and his work is already there, "Just look at the surface of my paintings and films and me, and I am there. No There's nothing behind it. "

His Rorschach inkblots are intended as comments on pop art and what art could be. His cow wallpaper (literally, wallpapers cow motif) and oxidation paintings (canvases prepared with copper paint which is then oxidized, in the urine) are also noteworthy in this context. Equally remarkable is the way these works and their means of production reflects the atmosphere of New York's Andy "of factory. "biographer Bob Colacello provides some details on Andy" piss paintings ":

Victor … was Andy's ghost pisser oxidation. He came to the factory to urinate on canvases that had already been primed with copper-based paint by Andy or Ronnie Cutrone, a phantom pisser second much appreciated by Andy, who said that vitamin B that Ronnie took a prettier color when the acid in the urine turned the copper green. Andy never made use of its own urine? My daily show when the series began in December 1977 did, and there were many others: those who had come to the wines of the food and drink too much, and find it funny or even flattering to be asked to help Andy painting. "Andy has always had a very good pickup in his walk as he led his studio …

Warhol's first portrait of Basquiat (1982) is a black photosilkscreen oxidized copper on a "piss painting."

After many years of screen printing, oxidation, photography, etc, Warhol returned to painting with a brush in the hand of a series of more 50 major works carried out in collaboration with Jean-Michel Basquiat from 1984 to 1986. These were influential in his later work.

Warhol The last cycle of the dinner was his last series, possibly the largest and seen by some as "possibly the greatest." It is also the largest series religious works of any U.S. artist.

Movies

Warhol worked across a broad range of media from painting, photography, drawing and sculpture. In addition, he was a prolific director. Between 1963 and 1968, made over 60 films, as well about 500 black short black "screen test" portraits of visitors to the factory. One of his most famous films, Sleep, monitors poet John Giorno sleeping for six hours. The 35 minute film Blow Job is a continuous take of the face by Denver Bookwalter supposedly receiving oral sex from Willard Maas, film director while the camera tilts down to see this. Another Empire (1964), consists of eight hours of footage of the Empire State Building in New York at sunset. The film is to eat a man eating a mushroom for 45 minutes. Warhol attended the premiere of 1962 Monte Young composition called static String Trio and later created his famous series of static films as Kiss, eat and sleep (for which Young originally was charged with providing the music.) Cites filmmaker Uwe Husslein Jonas Mekas, who accompanied the premiere Warhol Trio and static assertion Warhol films were directly inspired by the performance.

Batman Dracula is a 1964 film that was produced and directed by Warhol, without the permission of DC Comics. Was selected only exhibits his art. A fan of the Batman series, the film Warhol was a "tribute" to the series, and is considered the first appearance of a blatantly campy Batman. The film was until recently thought to have lost, until scenes the image shown in some detail in the 2006 documentary Jack Smith and the Destruction of Atlantis.

Warhol's 1965 film Vinyl is an adaptation of the popular dystopian novel by Anthony Burgess "A Clockwork Orange. Other records improvised regular meetings between the factory and Bridget Berlin, Viva, Edie Sedgwick, Candy Darling, Holly Woodlawn, Ondine, Nico, and Jackie Curtis. Legendary underground artist Jack Smith appears in the movie Camp.

His most popular and critical success was Chelsea Girls (1966). The film was very innovative because it consisted of two 16 mm films that is projected simultaneously with two different stories that are shown in tandem. From the projection booth, the sound is raised for a film to clarify "History", while it decreased for the other. The multiplication of images evoked Warhol's seminal work silk screen 1960's.

Other important films include Bike Boy, My Hustler, and Lonesome Cowboys, a pseudo-Western vulgar. These and other titles document gay underground and camp culture, and continue play a prominent role in knowledge about sexuality and art. Blue Movie movie in Warhol superstar Viva makes love and fools in bed with a man 33 minutes of film time was Warhol's last film as director. The film was a scandal at the time of its frank approach to a sexual encounter. For many years refused to allow Viva to be screened. It was screened publicly in New York in 2005 for the first time in more than thirty years.

After his June 3, 1968, shooting, a lone Warhol relinquished his personal involvement in the film. His acolyte and assistant director, Paul Morrissey, took over the film making the tasks of the plant collective Warhol film direction with the brand to the more conventional, narrative-based, the rate of exploitation B-movie with Meat, Trash and Heat. All these films, including Dracula, the last of Andy Warhol and Andy Warhol's Frankenstein, is much more current than anything Warhol as a director had attempted. These latter "Warhol" films starred Joe Dallesandro more than one star Morrissey than a true Warhol superstar.

In the 70's, most of the films directed by Warhol withdrew Warhol circulation and the people around him who ran his business. After Warhol's death, the films were gradually restored by the Whitney Museum and from time to time projects in museums and film festivals. Few of the Warhol-directed films are available on video or DVD.

Factory in New York

Factory: 1342 Lexington Avenue (the first factory)

The Factory: 231 East 47th Street from 1963 to 1967 (the building no longer exists)

Factory: 33 Union Square from 1967 to 1973 (Decker Building)

Factory: 860 Broadway (near 33 Union Square) 1973-1984 (the building has been completely remodeled and it was during time (2000-2001) the headquarters of the dot-com consultancy Scient)

Factory: 22 East 33rd Street 1984-1987 (the building and does not exist)

Home: 1342 Lexington Avenue

Home: 57 East 66th Street (the last house Warhol)

Last personal studio: 158 Madison Avenue

Filmography

Main article: Andy Warhol films

Music

In mid-1960, Warhol adopted the band The Velvet Underground, that becomes crucial element of the explosion of Plastic Inevitable multimedia performance spectacle. Warhol, Paul Morrissey, acted as manager of the band, introducing Nico (which take place with the band at Warhol's request). In 1966 he "produced" their first album The Velvet Underground & Nico, as well as the provision of its cover. Actual participation in the album's production amounted to only pay for studio time. After the first album band, Warhol and Lou Reed, leader of the band began to disagree more about the direction the band should have, and ended his artistic friendship. [Citation required]

Warhol designed many album covers of various artists from the photographic coverage of the debut album John Wallowitch, this is John Wallowitch! (1964). Warhol designed the cover of The Rolling Stones album Sticky Fingers (1971) and Love You Live (1977), and album John Cale Honi Armatura in 1981. In 1975, Warhol was commissioned to do several portraits of frontman Mick Jagger while in 1982, designed the album cover Diana Ross album Silk Electric. [Citation needed] One of his last works was a portrait of Aretha Franklin on the cover of Aretha's 1986 album Gold, which is made in the style of the series reigning Queens who had completed the previous year.

Warhol was also friends with many artists, including Deborah Harry, Grace Jones, Diana Ross and John Lennon – who designed the cover of 1986 Lennon's posthumously released Menlove Ave .. Warhol also appeared as a waiter in the music video of the cars of their single "Hello Again", and curiosity killed the cat video for their "Misfit" single (both videos, and others were produced by the company of Warhol's video production). [Citation needed] Warhol appears in the Grace Jones music video for "I'm Not Perfect (But I'm perfect for you). "

Warhol strongly influenced the New Wave punk rock band Devo, and as David Bowie. Bowie recorded a song called "Andy Warhol" from his 1971 album Hunky Dory. Lou Reed wrote the song "Andy's Chest" about Valerie Solanas, the woman who shot Warhol in 1968. He recorded with the Velvet Underground, but this version was not officially released until the album VU appeared in 1985. He recorded a version of his 1972 solo album Transformer, produced by Bowie and Mick Ronson. [Citation needed]

Home copy no. 18 of 25 cats name [sic] Sam and one Blue Pussy by Andy Warhol given in 1954 to Edgar de Evia and Robert Denning when the author was a guest in his house in the Rhinelander Mansion. [Citation needed]

Books and writing

Based on the Principles 1950, Warhol produced several unbound portfolios of his work.

The first of several bound books self-published by Warhol was 25 Cats Name Sam and one blue pussy, printed in 1954 by Seymour Berlin on Arches brand watermarked paper using his technique of lithography spotted online. The original edition was limited to 190 numbers, hand-painted copies, ink washes Dr. Martin. Most of these were given by Warhol as gifts to clients and friends. Copy # 4, inscribed "Jerry" on the cover and given to Geraldine Stutz, was used to print a facsimile in 1987 and the original was auctioned in May 2006 for 35,000 U.S. $ by Doyle New York.

Other self-published books by Warhol include:

A guestbook

Wild raspberries

Holy cats

After to gain fame, Warhol "wrote" several books that were commercially published:

, A Novel (1968, ISBN 0-8021-3553-6) is a verbatim transcript that contains spelling errors and phonetically written background noise and mumbling audio recordings of Ondine and several of Andy Warhol's friends leaving the factory, talk, get out. [Citation needed]

The Philosophy of Andy Warhol (From A to B & Back Again) (1975, ISBN 0-15-671720-4), according to Pat Hackett's introduction to The Andy Warhol Diaries, Pat Hackett did the transcriptions and text book based on conversations phone daily, sometimes (when Warhol was traveling), using audio tapes that Andy Warhol gave her. These tapes contained conversations with Brigid Berlin (also known as Brigid Polk) and former Interview magazine editor Bob Colacello. [Citation needed]

Popism: The Warhol Sixties (1980, ISBN 0-15-672960-1) written by Warhol and Pat Hackett is a retrospective of the sixties and the role of pop art.

The Andy Warhol Diaries (1989, ISBN 0-446-39138-7), edited by Pat Hackett, is a journal issued by Warhol to Hackett in daily phone conversations. Warhol started the journal to keep track of their expenses after being audited, but soon with their personal and cultural observations.

Warhol created the fashion magazine interview still published today. The script fetched title on the cover is believed to be his own handwriting or that of his mother, Julia Warhola, who would often work text parts of its business principles.

Other media

As stated, although Andy Warhol is the best known for his paintings and films, has written works in many different media.

Drawing: Warhol started his career as an illustrator commercial production of animated "erase ink" style for commercials and magazine articles. The best known of these early works are his drawings shoes. Some of his personal drawings in small self-published pamphlets, such as Yum Yum, Yum (food), Ho, Ho, Ho (Christmas), and (of course) shoes, shoes shoes. His most acclaimed artist of the drawings is probably a golden book, compiled of sensitive drawings of young men. A guestbook is named because of the gold leaf that decorates the pages.

Sculpture: Warhol's most famous sculpture is probably his glossy boxes, screen ink on wooden replicas of the boxes of soap pad Brightness (designed by James Harvey), part of a series of "food box" sculptures that also included Heinz ketchup and Campbell cases of tomato juice. Other famous works include the Silver Clouds helium filled, silver mylar balloons shaped pillow. The Silver Cloud was included in the traveling exhibition of outdoor art (1968-1969), curated by Willoughby Sharp. Clouds Warhol was also adapted to the Jungle by leading choreographer Merce Cunningham dance piece (1968).

Audio: At a time when Warhol made a portable recorder with him wherever he went, recording all the world all said and done. He referred to this device as his "wife." Some of these tapes were the basis for his writing. Another audio-work of Warhol was his "Invisible Sculpture", a presentation in which burglar alarms that go off when entering the room. Warhol's cooperation with musicians The Velvet Underground was driven by an expressed desire to become a music producer. [Citation needed]

Capsules time: 1973, Warhol began saving ephemeral daily life of his correspondence, diaries, souvenirs, children, even use the tickets and food is sealed in plain cardboard boxes called Time Capsule. At the time of his death, the collection grew to include 600, dated individually "capsules." The boxes are now in Andy Warhol Museum.

Television: Andy Warhol dreamed of a television program that would call The Nothing special, a special on his favorite subject: Nothing. Later in his career he has created two cable television programs, television by Andy Warhol in 1982 and fifteen minutes of Andy Warhol (based on his famous "fifteen minutes of fame" quotation) for MTV in 1986. In addition to its own shows that regularly made appearances in other programs, including at sea where a woman from the Midwest (Marion Ross) fears of Andy Warhol are revealed to her husband (Tom Bosley, who starred alongside Ross in sitcom Happy Days) her secret past as a Warhol superstar named Marina del Rey. Warhol also produced a television ad for Schrafft Restaurants in New York, a frozen dessert aptly titled the "Underground Sundae."

Fashion: Warhol is quoted as having said: "I prefer buy a dress and put it on the wall, put a box that is not true? "[Cite this quote] One of his most famous superstar, Edie Sedgwick, aspired to be a fashion designer, and his good friend Halston was a famous. Warhol's work in fashion includes silkscreened dresses, a short sub-career as a fashion model, and books on fashion and as paintings with fashion (shoes) as a subject. [Citation needed]

Performance Art: Warhol and his friends organized multimedia events plays at parties and public places, the combination of music, movies, slide shows and even Gerard Malanga in an S & M team cracking a whip. The Exploding Plastic Inevitable in 1966 was the culmination of this area of work.

Theater: Andy Warhol PORK opened on 5 May 1971 Lamam theater in New York to one run in two weeks and was taken to the Roundhouse in London for a longer period in August 1971. Pork was based in the recorded conversations between Berlin and Andy Brigin during which Bridget play for Andy tapes he had made of telephone conversations between her and her mother, known from Berlin honey. The work appears as Jayne County "Vulva" and Cherry Vanilla as "Amanda pork." [Citation needed] In 1974, Andy Warhol also produced stage musical Man on the Moon, which was written by John Phillips of The Mamas and the Papas.

Photo: To produce his silkscreens, Warhol made photographs or had done for his friends and assistants. These photos were taken mostly with a specific model Polaroid camera that Polaroid kept in production, especially Warhol. This photographic approach to painting and his snapshot method of taking pictures has had a great effect on artistic photography. Warhol was an accomplished photographer, and took an enormous amount of photographs of visitors to the factory, friends. [Citation needed]

Computer: Warhol used Amiga computers to generate digital art, which he helped design and build with Amiga, Inc. also shows the difference between slow and fast filling filling live TV with Debbie Harry as a model. (Video)

Producers and products

Warhol had assistants in the production of his paintings. This is also true of his film decisions and commercial enterprises. [Citation needed]

He founded the gossip magazine Interview, a stage for celebrities who "approved" and staff of a company by its friends. Collaborated with others in all his books (some of which were written with Pat Hackett.) Adopted the young painter Jean-Michel Basquiat, and the band The Velvet Underground, present to the public as his latest interest, and work with them. You could even say it was the people (as in the Warholian "Superstar" and the Warholian portrait). The approved product, appeared in commercials, and made frequent celebrity appearances on television shows and movies (it appeared everything from the Love Boat "Saturday Night Live and the Richard Pryor movie, Dynamite Chicken). [Citation needed]

In this regard, Warhol was a fan of "The Art of Business" and "Art Business", in fact, wrote about his interest in thinking about art as a business in The Philosophy of Andy Warhol from A to B and vice versa. [Citation needed]

museums dedicated

Two Museums are dedicated to Andy Warhol. The Andy Warhol Museum, one of the Carnegie Museums of Pittsburgh, is located at 117 Sandusky Street Pittsburgh, Pennsylvania. It is the largest museum Art in America dedicated to one artist, with more than 12,000 works of the artist. [Citation needed]

The other is the Andy Warhol Museum Modern Art Museum, established in 1991 by Andy's brother John Warhola, the Slovak Ministry of Culture, and the Warhol Foundation in New York. Located in the small town Medzilaborce, Slovakia. Andy's parents and two siblings were born in the town 15 kilometers of MIKOV. The museum houses several originals donated mainly by the Foundation Andy Warhol in New York and also personal items donated by Warhol's relatives. [Citation needed]

Warhol films

Drama

Warhol (right) with director Ulli Lommel in all of 1979 Cocaine Cowboys, which appeared Warhol as he

In 1979, Warhol appeared as himself in the Cocaine Cowboys movie.

After his death, Warhol is played by Crispin Glover in Oliver Stone's movie, The Doors (1991), by David Bowie in Basquiat, a film by Julian Schnabel and Jared Harris in I Shot Andy Warhol film directed by Mary Harron (1996). Warhol appears as a character in Michael Daugherty's 1997 opera Jackie O. actor Mark Bringleson ago a brief cameo as Warhol in the Austin Powers: International Man Mystery (1997). Many films by the avant-garde filmmaker Jonas Mekas has captured the moments in the life of Andy. Sean Gregory Sullivan describes Warhol in the movie 1998 54. Guy Pearce Warhol portrayed in the 2007 film, Factory Girl, about the life of Edie Sedgwick. The actor plays Greg Travis Warhol in a brief scene from the 2009 film Watchmen.

Gus Van Sant was planning a version of Warhol's life with River Phoenix in the lead role before Phoenix's death in 1993.

Documentaries

Documentary 2001, Absolut Warhola was produced by Polish director Stanislaw Mucha, with Warhol's parents and hometown in Slovakia.

Andy Warhol: A reverential documentary is a four-hour 2006 movie by Ric Burns.

Andy Warhol: Double Denied is a 52-minute film by Yentob language difficulties in authenticating the work of Warhol: http://www.myandywarhol.eu/videos/videos1.asp

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